Tomáš Jetela is an artist whose work encapsulates the complexities of the mind, exploring themes of duality and multiplicity through a dynamic interplay of figuration and abstraction. The artist, born in 1986, is exceptional on the Czech art scene in his generations because he is a consistent figuralist. His recent creations invite viewers into an intricate landscape of fragmented identities and internal conflict, drawing upon historical and contemporary cultural references.
At the core of Jetela’s artistic philosophy lies the exploration of duality—the idea of branching personalities that reside within a single individual. This concept has been a subject of fascination throughout art history, echoing in literary works such as Dr. Jekyll and Mr. Hyde, mythology with figures like Janus, and even in pop culture through characters like the Hulk. Jetela delves into these themes, suggesting that our understanding of identity is far from singular.
His paintings become a “field” of interpretive possibilities. As he articulates, “the very essence of my work lies in the interweaving of figuration and abstraction,” positioning his art as a medium for substantial ambiguity. This ambiguity allows for multiple interpretations, enriching the viewer’s experience with each encounter.
Jetela’s artistic exploration also emphasizes the notion of movement, a concept that transcends mere representation. This pursuit of dynamism references historical movements such as Futurism and Cubism, seen as foundational in the evolution of depicting motion within art. His works marry these styles with contemporary themes, creating a palpable energy that pervades the canvas.
The artist references the chaotic nature of internal conflicts, asserting that “we play the game of being one person, while the simple truth of our schizophrenic reality terrifies us.” This tension between the perceived self and the multitude of identities within is portrayed through symbols of instability and turmoil—monstrous figures, ethereal teeth, and vivid colors that evoke emotional responses.
In Jetela’s recent works, particularly his exhibition in Berlin, he presents a “scream of red, black, and white,” resonating with themes of war, extinction, and societal unrest. This exhibition starkly contrasts with his previous display in Paris, where the focus was more introspective and psychological. The Berlin show confronts the external political landscape, reflecting the artist’s response to today’s metastasizing disinformation and societal discord.
His artwork acts not only as a personal exploration but also as a mirror to contemporary issues, symbolizing both fragmentation and the chaotic external forces shaping human experience. As he articulates through his vibrant depictions, art should indeed reflect its time.
Jetela’s portfolio includes a variety of recent works such as Carnival of Souls (2022) and Dying in the Wasteland (2023), which exemplify his exploration of internal conflicts through striking visuals. His exhibitions—like Magic Monsters at galerie nova sin in Prague and Superhero at Galerie Paul*13 in Paris—demonstrate his versatility and ability to engage audiences with evocative narratives.
In 2023, Jetela participated in a residency at the Moulin de Nouara in France, focusing on themes of metamorphosis, further enhancing his exploration of transformation within his work.
Tomáš Jetela’s art stands as a significant reflection of the intricacies of modern existence. By weaving together threads of history, psychological introspection, and contemporary society, his works prompt viewers to confront the diverse facets of identity and the tumultuous nature of the world around them. Through his evocative creations, Jetela continues to enrich the contemporary art scene, inviting dialogue and introspection into the multifaceted nature of human experience.
For more information about Tomáš Jetela and his work, you can visit his website or follow him on Instagram.
Photo credits: The photographs are the property of the artist
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