PAN Amsterdam 2025 brings together art, antiques, and design in an expansive, awe-inspiring mix at the RAI Amsterdam from November 2 to November 9, 2025, delivering a richer, more diverse spectrum than ever before across 21 categories and 125 participating galleries.
The fair offers curated breadth across Old Masters, Asian prints, 19th‑century antiques, clocks and coins, posters, glass, silver, icons, comic art, watches, and contemporary works, creating a seamless dialogue between historical craftsmanship and modern vision. The campaign image, crafted by Splinter Chabot in collaboration with design duo Rive Roshan, invites visitors into a vivid labyrinth of inspiration and ideas, setting a tone of exploration and discovery.
Japanese art receives a special focus this year, underscoring PAN Amsterdam’s long‑standing engagement with East Asian aesthetics and inviting collectors to explore lacquerware, bronze, and porcelain connected to Dejima, illustrating centuries of cultural exchange between the Netherlands and Japan. The Kröller‑Müller Museum is the Museum Spotlight, highlighting its collection and renovation plans, with a landmark work by Claes Oldenburg, Three‑Way Plug, Scale D, Soft (1970), prominently displayed near the entrance.
New moments at PAN Amsterdam include the presentation of original comic drawings by both national and international artists, expanding the fair’s reach into the world of graphic storytelling, alongside a dedicated vintage photography area showcasing iconic sports images and urban scenes. Contemporary design also features prominently, with contributions from designers like Maarten Baas and other notable voices shaping the modern design narrative across multiple booths.
Among the highlights are seminal comic art pages and complete stories from artists such as Theo van den Boogaard and Ad Windig, bridging the gap between comic art and the broader art market. Depth of Field and other modern design movements are represented through a range of contemporary collectives and established studios, while Lalique glass and Van Cleef & Arpels jewelry epitomize centuries of luxury craftsmanship.
The Dejima-linked and 18th‑century Japanese lacquerware, bronze, and porcelain displays illuminate the Netherlands–Japan exchange that began in 1600, offering visitors a tactile travel through time. The Museum Spotlight booth from the Kröller‑Müller Museum will present highlights and discuss renovations, welcoming attendees at a prominent entrance vantage.
Practical details set the stage for a seamless visit. PAN Amsterdam unfolds at the RAI, Europaplein, Amsterdam, with private previews on November 1 and public hours from November 2 to 9; daily hours generally run 11:00 to 18:00, with extended hours on select days. Tickets online are €29 and at the door €30, with free entry for children under 16. Press previews take place on November 1, and press accreditation is coordinated in advance through Arabella Coebergh.
PAN Amsterdam stands as the Netherlands’ premier gathering for art, antiques, and design, uniting roughly 125 dealers and galleries in a comprehensive survey spanning more than 5,000 years of art history, authenticated by a panel of independent experts to ensure quality and integrity throughout the fair. If you’d like, I can adapt this for a specific outlet or audience, trim it for a brief news blurb, or shape it into a feature with pull quotes and caption suggestions.
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